Synth Tutorial, Part 4: LFO


Fourth in the series of video tutorials on synthesizers, focusing on the Low Frequency Oscillator, what it does and why it’s cool.

Part 4: The LFO

 

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Synth Tutorial, Part 3: Filtering


The third in the series of video tutorials. This one focuses on the link between the time and frequency domains of analog signals, and how that relates to the filter cut-off and resonance controls.

Part 3: Filtering

Synth Tutorial, Part 2: Envelope Generator


Second part in the video series on synth basics. This time, we look at the envelope generator, generally referred to as the EG, or ADSR (Attack, Decay, Sustain, Release) envelope.

Part 2: EG

Synth Tutorial, Part 1: Osc 1 & 2


I’ve been playing in my mind with the idea of making a synth video tutorial for months now. I pretty much had the format worked out, and was just waiting for an opportunity to shoot the videos themselves. I finally had that chance at the end of November, and I’ve been editing each of the sections since then. I’m not really happy with my narration – I pause too much and I did make a few mistakes that I had to correct in the captions, but I think that technically the content of the videos is ok. I’ll run each section on Mondays my time, one a week.

Part 1: An introduction to the series, and a demonstration of how the audio oscillators work.

Show-Off


I’m in the process of putting together a short series (maybe less than 10 parts) of video tutorials on synth music/electronic sound. In preparation for that, I want to talk about the gear that I already have, and give short demos of each of the major instruments.

Youtube video

Controlling the Rockit from the Roland A300


I like the Roland A300-Pro keyboard, I do. But there are a few things that can be very frustrating with it. I like the feel of the keys and the fact that they’re velocity sensitive. The actual amount of sensitivity can be modified in software if desired. And I like having all the sliders, dials and buttons. When I was working on my Java synthesizer project, I made use of pretty much every control on the keyboard. I stopped short of adding a sequencer to the Java synth, but it would have been a simple matter to map the A300 “tape deck” buttons to make the sequencer controls. So, as a MIDI controller, the A300 is great. The price is even dropping now, so it’s down to about $200 USD from the original $320 list. And, it comes with Sonar X1 LE, giving you composition software and a small selection of instrument voices to play with out of the box (piano, guitar, etc.)

What I don’t like is the documentation. Stuff that you can kind of figure out on your own is well documented, but the things that you generally need to go to the manual for are missing. And if what you want to know is in some way related to the software you’re using (like delays from pressing a key to when the note plays), Roland refuses to get involved at all. The standard response is, contact the maker of the software for support.

Anyway, I have the Hackme Rockit 8-bit synthesizer fully up and running, and I wanted to see if it would play from the keyboard. Early versions of the Rockit didn’t work with some MIDI devices, and needed certain mods made to specific parts. Fortunately, there weren’t any issues with the A300 keyboard portion. I plugged the A300 MIDI Out port to the Rockit MIDI In with a MIDI cable I bought from a local music store. The Rockit doesn’t have a built-in speaker so I used headphones with a 1/4″ phono jack. Press a key on the A300, sound comes out of the Rockit. Cool! That was the entire point of getting and making it.

The next step was to map the A300 dials to the Rockit controls. The Rockit allows MIDI mapping to pretty much every parameter. And this is where things got dumb. The easiest way to assign MIDI code to the A300 is through the APro software that comes with the A300 CD-ROM. Here’s the first problem – APro treats control settings as “control maps”. When you click on the pulldown arrow, you’re able to select from control maps 1-19. However, you actually only have JUST ONE MAP. If you select map 1 and make a change to one of the controls, maps 2-19 get the same change. There’s nothing in the documentation that talks about this. Further, the A300’s default map is #0, which APro doesn’t let you access. So, if you assign MIDI messages to a bunch of controls in APro and transmit them to the A300, nothing seems to be happening correctly when you fiddle with the dials because you changed map 1, and the A300 keyboard is playing from map 0.

The thing to keep in mind, then, is that if you want multiple maps in the A300, you have to save the settings from APro to separate files. Say you want some dial assignments in map 1 for one song and other assignments in map 2 for another – save them on the PC as 2 different files: “rockit map 1” and “rockit map 2”. Then, open “rockit map 1” in APro, select “map 1” from the pulldown menu, and transmit the map to the A300. Close this file, open “rockit map 2” in APro, select “map 2” and transmit that. While the APro software app can’t figure out what’s going on, the A300 keyboard will at least store the maps individually internally.


(The PRM Mute left and right buttons, and the Value/Enter spinner.)

The drawback, though, is that when you turn the A300 off and back on again, it defaults to map 0. Every time you turn it on, you have to hit the PRM left arrow button twice to get the LCD panel to display “Control Map”, use the Value control to select map 1 or 2, and then press Value as an Enter key. Kludgy. I just wish the documentation mentioned all this.

Assigning MIDI messages is simple once you get to this point.

Just open APro on your PC.


(Yeah, I know the menus are in Japanese. I have Japanese windows. Just pretend that the menu reads: “File”, “Edit”, “Options”, “Help”. And that the current pulldown says “MIDI Device”, “Display Assigned Messages” and “Display Keyboard Panel”.)

Select Options -> MIDI Device from the menu bar.

Set Input Port to A-Pro 2, and Output Port to A-Pro, and click Enter.

Select Options -> Display Assigned Messages.

Click on the control you want to set (R1-R9 for the dials, S1-S9 for the sliders).

This will pop up the MIDI message edit window. The name you give the control will appear on the A300 LCD when that control is changed when you play the keyboard. For the Rockit, you want the “Assign Message” to be a “Channel Message”, and the “Type” to be “Control Change”. By default, the Rockit is on MIDI channel 1, but you can change that if you like. Next, specify the control number for the Rockit parameter you want to change. In the example, OSC1 Waveform is control message 5. Leave the min and max values as-is. “Output Port” is only relevant when the keyboard is connected to the PC through the USB cable, and is unrelated to what I’m doing with the Rockit. I don’t yet know what “Virtual Center Click” does, but I don’t care right now, either. Click on Ok, and repeat for the other controls.

When you’re done, use “File->Save” (or “Save-As”) to save the settings to a file. Finally, select the desired control map number from the pulldown menu and then click on Transmit. This will send your MIDI assignments to the keyboard to be stored for that map number.

As mentioned above, each time you turn on the keyboard, you’ll need to use PRM Mute left arrow twice to get the LCD screen to display “Control Map” to select the one you want. And now you’re done.

Note that you can have the A300-Pro plugged into the PC via the USB port, AND to the Rockit via the MIDI cable at the same time. However, the keyboard will be disabled. To play the keyboard to test your MIDI message assignments, you have to unplug the USB cable.

I have found that not all of the controls work right with the Rockit. From the Rockit, you have two LFOs, and you can only control one at a time. You have to select the LFO, and the LFO destination, before the LFO Rate, LFO Amount and LFO Shape controls can do their magic on the parameter you want (Pitch, Filter Frequency, Oscillator Amplitude, etc.) However, LFO Rate, LFO Amount and LFO Shape don’t do anything via MIDI, and assigning LFO Select to an A300-Pro button didn’t seem to be working, either. This is where I really wish I had access to the Rockit “open source” code so I could verify how it handles MIDI messages. Still waiting for Matt to get back to me on that. Anyway… The A300 has 18 controls that vary from 0 to 127, and that’s not enough to allow for individually mapping both rate, amount and shape for LFO1 AND LFO2 within one map. So, this is where I decide to have two map files.

Bottom line is that I do finally have MIDI messages running from the A300-Pro to the Rockit. I know the concept works. The sound from the headphones is a bit weak, so that justifies writing up another blog entry.